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The Royal Tombs of Hue, Hue

The Royal Tombs of Hue

The Royal Tombs of Hue

The Nguyen Dynasty (1802-1945) is the last of Vietnam's Royal families. In all, there were 13 kings, however, due various reasons, only seven had tombs. The seven imperial tombs were planned and constructed in a hilly region southwest of the Citadel. Gia Long, Minh Mang, Thieu Tri, Tu Duc, Duc Duc, Dong Khanh and Khai Dinh all had a tomb built. All tombs were constructed during the reign of the respective kings for which they were named. Each tomb was laid out with statues and monuments in perfect harmony with one another to form a poetically natural setting. The following elements were incorporated in all the tombs: walls, triple gate (Tam Quan Gate), Salutation Court, Stele House, temples, lakes and ponds, pavilions, gardens, and finally the tomb.

In 1957, Les Merveilles du Monde (France) published a list which included the royal tombs of Hue as part of the World's Wonders. Unfortunately, most of the artifacts in the tombs have been stolen by the French and local bandits.
 
Minh Mang Tomb

Minh Mang tomb

Minh Mang tomb

The height of the Nguyen Dynasty was reached during the reign of Emperor Minh Mang (1820-1840). His tomb was built 12km from Hue in four years (1840-1843). The king had the plans drawn and the location chosen by the royal advisor, the mandarin Le Van Duc. The king passed away as construction commenced. His successor, the Emperor Thieu Tri sought the completion of the project.

It took ten thousand soldiers and artisans to complete the project. The tomb consists of about 40 monuments of various sizes; all lie within an oval shaped wall with a circumference of 2000m. A walk of about 700m in length bisects the interior of the complex into two equal halves. Along it are the Salutation Court, Stele House, Sung An Temple, Minh Lau Pavilion, and the tomb itself being at the very back of the complex. 


Tu Duc Tomb

Tu Duc Tomb

Tu Duc Tomb

Born in 1829, Emperor Tu Duc had the longest reign of all in the Nguyen Dynasty. The King died in 1883 after 35 years on the throne. Built between 1864-1867, his tomb includes 50 monuments surrounded by a 1500m wall.

Emperor Tu Duc was an expert in eastern philosophy, history, and literature. He left 4,000 verses and 600 proses, yet during his reign he the king failed to gain the respect of the citizens. It was during the construction of his tomb that the soldiers and artisans rebeled and joined Ung Dao (a distant cousin of the king) in the attempt to overthrow the king.

Being a romantic, the king immersed himself in the world he created at the site of his tomb. The king ordered the construction of his tomb to be a fairyland with poetical features, making it a lifetime dream and a world for his eternal life after death.

Architectural features of Tu Duc Tomb include poetry elements in free form. It was designed to blend with the natural setting of the landscape. Man-made elements were built and placed in strategic areas to achieve perfect harmony. 


Khai Dinh Tomb

Khai Dinh Tomb

Khai Dinh Tomb

Emperor Khai Dinh (1885-1925) ruled Vietnam for 9 years. His tomb took 11 years to complete. Construction began in 1920 and was completed in 1931. Under Khai Dinh, Western culture and influence began to seep into Vietnam. The king himself visited France in 1922. As a result, his tomb has many elements of Western architecture. In fact, of all the tombs, Khai Dinh's probably least resembles oriental architecture.

Emperor Khai Dinh's tomb is built using concrete, its roof with slates and the gate is made of wrought iron. The builder made use of the lighting rod and electricity is used to light the place. Beyond these modern building materials and designs, the tomb had elements of eastern art mixed with western designs.

Throughout the interior of the tomb, colored glass and ceramic chips were used to form mosaics of oriental design. The ceilings were hand painted much like the ceilings of western churches, but the designs were of dragons and clouds. In the book, 'Art Vietnamien', Emperor Khai Dinh's tomb was cited as an example of Vietnamese "neo-classicism".  
 

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